Real Music & Real Estate . . .

I lost my wallet and got it back quickly. I left the wallet on a bike path. Beachwood cops called.

I tried to give the finder a reward. I got his number from the cops. But the finder wouldn’t answer his phone. The police said he was a 47-year-old man from Woodmere, Ohio. He supposedly had told the cops, “If I lost my wallet, this is what I’d want.”

Nothing was taken from the wallet. The man deserved something. Matthew Lewis, 47, of Woodmere. I couldn’t find him. Granted, I didn’t spend hours on my search, but still, I put in time.

—

Yidd Cup Funk A Deli is at Fairmount Temple, Beachwood, Monday night for Simchat Torah, and Tuesday night at Park Syn, Pepper Pike.

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I gave my son Jack some tips on playing Madison Square Garden. Did he listen?  You decide . . .

If a heckler yells “shut up and play,” ignore him and keep the banter going. Concertgoers want to hear your story: where you grew up, where you go for pizza.

Long improvised solos are a turn off. Play in chunks — five minutes, maximum, per song. Listeners want variety, and they want it now.

Sports-talk always works. “How about those Knicks?” When my band, Yiddishe Cup, played the Brooklyn Center for the Performing Arts (2006), I talked about the Dodgers. The audience — mostly elderly Flatbush residents — knew everything about the team. They knew Duke Snider’s real first name (Edwin) and Pee Wee Reese’s first name (Harold). I told the audience I had gone to high school in Cleveland with Eric Carmen of the Raspberries. That’s what New Yorkers want to hear — who you went to high school with. New Yorkers say, “I went to Sheepshead Bay with Larry David” or “I went to Erasmus with Sedaka.” If they don’t say that, they’re not real New Yorkers.

Don’t ask “How’s everybody doing?” That can backfire (at least at nursing-home gigs).

Don’t say “Our next tune is” — that’s robotic.

Move around a lot. Concertgoers want to see musicians sweat. The audience “sees” before it “hears.”

Nobody will notice your mistakes unless you stop the music and cry. The audience is on your side.

Don’t take advice from anybody who last attended an arena concert in 1971.
—

(Vulfpeck — Jack’s band — played Madison Square Garden Sept. 28.)
—
This post is a day late because of Yom Kippur.

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I decided to oprima el dos. I called the Spanish-speaking operator at Spectrum (Time-Warner) to discuss my internet bill, which jumped from $50 to $65/month.

The operator wouldn’t shut up, in English or Spanish. Spanish is a beautiful language, she said, and her grandkids won’t speak it. She said she was from Laredo, Texas, and now lives in San Antonio. She said she could make more money as a bilingual translator in the Carolinas, but she preferred Texas.

She didn’t lower my bill. (I had an introductory offer that had expired.) What good is Spanish.

I’ll oprima el dos again. All Spanish operators speak English, too. That’s a safety net. Buenos dias.

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I spit wherever I want.

I go to the city dump for toilet seats and milk cartons. I’m a collagist.

I have sexy legs.

I own a big house and need another one. I’m seeing a realtor Friday.

I can’t read in the car. That’s a weakness.

I want to be Mr. Rogers, but not from Pittsburgh.

Rock-and-roll trivia is my forte. Also, baseball history. Pie Traynor!

I hate air conditioning. I wear a Speedo around the house in the summer.

My favorite movie is The Awning Fabricator. It’s Serbian.

Exercise sucks.

My girlfriend is sumptuous and intense, and a fugitive from my wife.

I often eat alone. My fav meal: Don’t have one.

My fav song: “Meshugeneh Mambo.”

Wednesday mornings I’m at Stone Oven, Eton Collection, Woodmere, Ohio. Stop in.

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I backed up a star. A minor star. A minor, minor star: David “Dudu” Fisher. You’ve probably never heard of him, but he’s big in the Jewish music world, and he came to Cleveland and needed a backup band.

The usual Cleveland jazz dudes were called in to back up Dudu. These Cleveland guys play for touring Broadway shows at Playhouse Square and have music-school degrees. These musicians have bio notes that read “shared the stage with blah blah and blah blah.”

I’ve shared the stage, too. Yiddishe Cup played at a Dayton, Ohio, folk festival gig right before Jon Hendricks. War, too,  (Detroit) and the Dirty Dozen Brass Band (Akron). I haven’t actually played with anybody. Correction: a tune with Vulfpeck in Ann Arbor.

The reed player in the David “Dudu” Fisher backup band wasn’t comfortable with the clarinet charts. He was a jazz-sax guy and the klez clarinet parts were a bit too intricate. So I got a call. I practiced a lot and did OK. There was jazz, klez and classical. I can read music! The pro jazz dudes said I did a good job. That meant something to me.

*”Dudu” is a Hebrew/Israeli diminutive for David.

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The caller wanted to put a restaurant in a 750-square-feet vacant storefront. Seven-hundred fifty feet is not much bigger than a shoebox. The caller said he could fit a couple tables in there. He said he owned two 500-square-feet restaurants in Brooklyn.

“Where in Brooklyn?” I asked.

“Fort Greene and Williamsburg,” he said. “You know New York?”

“I’ve heard of Williamsburg.”

“You know New York?”

“I know about Williamsburg. That’s where the hipsters live.”

“That’s right.”

“That’s what I want if you open here — hipsters,” I said. “I don’t want you open all night and selling cigarettes, lottery tickets and beer to derelicts.”

“Man, we want the hipsters.”

“What’s your name?”

“Ezzat. And my partner is my brother, Rizi.”

“That’s a lot of Z’s. You should call your restaurant Z’s.”

“Yeah.”

“What’s your last name?”

“Assad.”

“What’s your brother’s last name?”

“He’s Hamda.”

“What kind of restaurant?”

“El Toro Taqueria.”

Legit.

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I was a bit stylish in seventh and eight grades. I shopped at Mister Jr.’s and Skall’s Men’s Wear at Cedar Center. After eighth grade, I gave up on making it in fashion. I couldn’t cut it — shopping, fashion and popularity contests.

One of my dad’s friends sold Farah pants. I liked Farah but Farah wasn’t cool. Nice feel but not cool. Lee –- the brand — was popular. Farah was the continental look — the greaser thing, like iridescent sharkskin. Italians clung to the continental look for years. Jews moved on to the “collegiate” look — Lee’s colored jeans.

Ben Skall, an old man, ran Skall’s Men’s Wear. He became a state senator. I gave up white socks to enter Skall’s. I bought black socks with gray rings around the top (Adler brand). Sam McDowell and Hawk Harrelson shopped at Skall’s.

I was in the in-between crowd. I noticed right off in seventh grade half the class was yiddlach, and these kids seemed “fast” and could dress, and they would mock you out if you dressed wrong. The dagos, my side of the tracks, dressed like Dean Martin or the Fonz (who came later). I wore a spread-shirt collar. Verboten amongst Jews and dagos. It had to be button down. So I went to Skall’s.

I wore a fisherman’s knit sweater my mom made. Homemade was verboten, too, I learned. But a girl complimented me on the sweater, so I kept wearing tit. “Nice sweater,” she said. History!

I had a shirt jac and light blue denim pants. The shirt jac didn’t tuck in, by design.

Shoes? Pedwin cordovan penny loafers.

Sweaters, again: Alpaca was the continental look. Very Italian and very itchy. The collegiate look was a comfy cashmere-feel V-neck like a color called Summer Wheat.

Underwear? Yes, and white.

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I didn’t go to Woodstock. Never even thought about going. Wasn’t into Woodstock, period. I disdained anything popular. That was me. (My future wife, Alice, went to Woodstock for a fraction of a day. She saw Richie Havens and left because Woodstock was too crowded. By the way, Richie Havens was OK with me because he wasn’t super popular.)

I saw most of the Ann Arbor Blues Festival, which was two weeks before Woodstock. I should have seen the whole blues festival but my sister got married in Cleveland the same weekend. The chutzpah. I had to bounce back and forth from the wedding to the festival. I was the blues festival’s PR chairman, so I placed ads in major daily newspapers, Coda (a Canadian jazz mag), underground newspapers and Rolling Stone. I got in touch with the Voice of America, which taped the event. (The tapes haven’t resurfaced. Some other tapes have. There is a  just-released live double album.)  I worked with an ad agency in downtown Cleveland — a guy there did ads for the key company my dad worked at.

First A2 Blues Festival, 1969.

The blues festival drew 20,000, and we spent about $60,000 from the University of Michigan and Canterbury House — an Episcopalian coffeehouse. That was a lot of money. ($419,000 in today’s terms.) I got a free trip out of it, to New York to talk to WNET. They weren’t interested in filming the festival because they had just done the Memphis Blues Festival.

Woodstock got a lot of ink because of the big crowd and the movie (1970).

Another national music festival in August 1969  was the Atlantic City Pop Festival. That drew about 100,000. Atlantic City Pop — you don’t hear much about that anymore. You don’t hear much about the Ann Arbor Blues Festival either.

The blues festival committee was U-M “blues freaks.” Most were Jews. University Activities Center — a student programming organization — ran an ad in the Daily that said hey-you-want-to-put-on-a-blues-festival? The student who placed that ad was Cary Gordon. He had a thing for Clifton Chenier. Gotta bring in Chenier! We did. And we brought in everybody else, too: Fred McDowell, Son House, Big Mama Thornton, Muddy Waters, Howlin’ Wolf, B.B. King, and more. These old black musicians had a certain presence. They knew more about music and life than we did. Screw Woodstock.

*Speaking of old, B.B. King was 43. Son House was 67. Sleepy John Estes was the oldest at 70.

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KlezKanada is going on right now. Come on, America, let’s compete against the Canadians. Let’s do a full-blown Midwest klez conference. Not in Chicago, thank you, and not in some bubble town like Madison, Wisc., or Ann Arbor, Mich.

KlezKleveland. Where exactly? My house.

Accommodations: tent camping on my front lawn. There will be shower trucks and port-a-potties in the driveway. Don Johns — only the best.

Gentiles welcome, of course.

Do I need to play an instrument to attend?

No.

Do I need to know Yiddish?

Just chutzpah and putz.

Faculty?

Maybe. 

Sports?

Spinning to the music of KnishKnash, a NYC band.

Teen activities?

Yes. Teens will put on a play about scrap and Midwest Jews, based on Leonard Tanenbaum’s memoir, Junk is not a Four-Letter Word.

KlezKleveland ends with a fireworks display over Shaker Lakes. Look for a KlezKleveland flyer in your mailbox. Look for the next eight years.

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My father’s father, Louis Soltzberg, was run over by a May Co. truck in 1924 and had a metal plate put in his head. After that he began hanging out at the pool hall a lot. My great aunt once told me, “If they had given out prize money for playing pool like they do now, he would have been a millionaire.”

My dad steered his kids toward ping pong, away from pool.  Ping pong was in our basement. To shoot pool, you had to go to Severance Center. There was a big sign at Severance: “No Hats.” That was because black customers liked to wear stingy brim hats while shooting, and the owners didn’t want too many blacks.

My dad entered a ping pong tournament at Danny Vegh’s club and got clobbered by a Hungarian. After that, Toby played only in our basement.

My father was good with racquets, and at sports in general. His brothers were good, too. His brother Milt was a fast-pitch softball player, and brother Sol played football at Western Reserve. My dad, Toby, took me to annual indoor track meets sponsored by the Knights of Columbus. I kept trying to find Ohio State and Michigan on the jerseys, but it was all Seton Hall, Holy Cross and Villanova. Were those colleges?

We lived three houses from the public tennis courts. My dad hit tennis balls with me after work. He would say, “Racquet back. Hit it now. Racquet back. Hit it now.” He was the color man without much color. I didn’t like his constant patter. To rile him, I’d mutter, “You stink.” You meant me. That drove my dad nuts. And I would say, “I quit!”

I liked music, too, and particularly the intersection of music and sports. Ohio State’s marching band had no woodwind section. It was all brass, and my parents wouldn’t buy me a trumpet. I had my Uncle Al’s hand-me-down clarinet. I stopped begging for a trumpet around ninth grade. I got used to the clarinet. In twelfth grade I dropped marching band altogether. I wasn’t marching anymore (to quote Phil Ochs, another South Euclid boy).

The marching band director at Cleveland Heights High – a nearby school — kept his “marching” band stationary in the end zone. That would have suited me, but I was at Charles F. Brush High, and we marched. I didn’t like learning the marching patterns.

My dad never saw me march, or play with my klezmer band, for that matter. He died before I got it going. I still play tennis. Ping pong, every three years. Pool, every six years.

—
Tomorrow night (7 p.m, Thurs., Aug. 15)
Funk A Deli / Yidd Cup
Free outdoor concert
Walter Stinson Community Park
2313 Fenwick Road
University Heights, Ohio
Be there!

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Bill Miller, who went to law school in South Dakota, wore a cowboy hat to our sons’ Little League games. Jews — the subject — came up, as it tends to around me. Bill ended our conversation with, “Think Yiddish, act British.” This was a new expression to my ears. Also, this guy — Bill Miller — was Jewish? Bill said he was inching his way back to the East Coast. He had lived in South Dakota, Iowa, and now Ohio. He had grown up on Long Island.

Bill got me to thinking about my personal “Think Yiddish, Act British” (TYAB) playbook. I had learned the cardinal rule of TYAB, courtesy of my mom: “Don’t make a scene.” If anybody in my family ever said “Jewish” in a restaurant, for instance, my mother would glance around to see if anybody heard. Forget Jew — the word — I rarely heard that growing up.

My dad couldn’t read (sound out) Hebrew. My mother could. My father’s parents were “basically communists,” an elderly cousin told me. That was a bit of an exaggeration. My grandparents were entrepreneurs with a socialist background. Par for the course.

We put out Easter eggs and got Christmas presents. No tree. No yelling. At High Holidays, my mom would write my teachers: “Please excuse Bert’s absence from school due to religious observances.” My temple held services on Sunday, not Saturday.

Jewish got more play beginning in 1967. I was surprised when my parents attended an emergency fundraiser for Israel. A lot of American Jews stepped forward during the Six-Day War. Abba Eban, at the U.N., was my hero. The possibility of a second Holocaust seemed very real. A couple kids in my high school began wearing Jewish Power buttons, courtesy of a button shop in Greenwich Village. I didn’t have the guts to wear the button. The button-wearing kids had grown up in the Jewish neighborhood, not with the Italians like I had. After the Israeli victory in 1967, the TYAB playbook became nearly obsolete.

At my dad’s funeral in 1986, my father’s brother Milt baited the officiating rabbi: “One place I’d never go is Israel.”

“Why is that?” the rabbi asked.

“Our mother was an ardent Zionist who wanted us to move there, and I didn’t want to.”

My mother questioned Milt’s propriety several hours later. According to my mom, 1) Uncle Milt’s mother had been a Zionist, but had never urged her kids to make aliyah. 2) Milt was a jackass for making a scene.

An etiolated version of TYAB was alive. But is TYAB in effect when you’re totally among Jews?

—

Yidd Cup/ Funk A Deli  plays a concert 7 pm Thurs, Aug. 15, at Walter Stinson Community Park. That’s somewhere in University Heights, Ohio. (hint: 2313Fenwick Rd.) Free. Outdoors.

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Cleveland was a hell for me last month. But not a bad hell. My mother lined up dates for me. The dates were with daughters of my mother’s friends. I took girls to bars and ordered 7&7s. That was my booze repertoire: 7&7.

I got feedback about the dates through back channels — info my mother gleaned at bridge games. Some girls liked me, some didn’t. One girl thought I was “a little weird.”

She was weird! She had no business dragging me through a military courtroom  — her dad’s den with World War II medals on the wall. “What are your plans? What do you do?” I wasn’t dating him.

What’s an apricot sour? That’s what I want to know. The daughter ordered that at the bar.

Right now I’m in Bodega Bay, California, sitting on the dock. A friend from college works at the marine lab here. I’m eating squid. Or maybe it’s a big snail. Wastin’ time?

—

2019 update: I stayed about a month in California and left for Latin America. I hitched and rode buses from Tijuana to Colombia. I stayed in Colombia a couple months, teaching English. In early 1974 I returned to Cleveland. My autobio: I Stayed in Cleveland.

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Dunk A Feli / Funk A Deli / Yiddishe Cup plays an outdoor concert 7 pm Thurs., Aug 15, in University Heights, Ohio.  Walter Stinson Community Park, 2313 Fenwick Road. Used to be a school site — Northwood. You can bring beer and wine to the show. And hopefully there will be free ice cream bars, too. We’ll play klezmer and soul music and a combination of the two.

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Beachwood, Ohio  1973

I live with my parents at the Mark IV, a high-rise apartment by the freeway. I’m living with my parents at age 23. I want to go to the North Pole. Chekhov said, “People do not go to the North Pole and fall off icebergs. They go to offices, quarrel with their wives and eat cabbage soup.”

My dad got mad at me because I didn’t want to save five dollars on traveler’s checks by shopping at various banks. “You aren’t a millionaire yet,” he said, scratching himself. He was wearing just underpants.

Tonight at a party — a parents’ party — Zoltan Rich, a Hungarian know-it-all, said, “The students protest for entirely selfish reasons. You know what the chief word is we’re missing — the key to the whole discussion? It’s obligation. Parents have abrogated their responsibility.”

It’s time to go. A guy from Case Western Reserve said he could give me a ride out west tomorrow. I won’t come back here for at least six months. My mother has a bridge game here tomorrow. If I’m within 100 feet of that game, I die.

I’ll try the Rand McNally approach to self-discovery . . .

It’s 3 a.m. in Utah and I’m sleeping under a picnic bench. I hear deer. Or bears? I hear semis shifting. What’s up? I don’t even like “freak” America. Deep down I’m straighter than David Eisenhower. I might wind up back in Cleveland. Or maybe I’ll settle out in California.

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Eric Krasner wanted to make a movie about Mickey Katz, the Cleveland-born klezmer clarinetist and comedian. Eric came to Cleveland from Atlanta to look around. He wanted to see where Mickey was born, and where Mickey’s wife grew up, and where Mickey’s father’s tailor shop had been. I said, “I’m not a filmmaker — and I don’t want to tell you what to do — but if you want another opinion, I don’t think you should show every place Mickey took a shit.”

1959 album

Eric and I visited the Euclid Avenue Temple (now Liberty Hill Baptist Church), where Mickey was married in 1930. Eric filmed the men’s room and said, “This is where Mickey urinated after his wedding.” Eric asked me why Katz (1909-1985) wasn’t more acclaimed in Cleveland. For one thing, Mickey is not well-known here. He’s not Bob Feller or Superman, or Pekar.

Eric and I went to Glenville, an East Side neighborhood where Mickey spent his teenage years. We found the Glenville Hall of Fame but no Mickey plaque. At Katz’s birthplace, near East 51st and Woodland, Eric drew a sign, “Birthplace of Mickey Katz 1909,” and hung it on a fence and filmed the sign.

Eric announced on Facebook he is giving up on the Mickey Katz film. Mickey’s son Joel Grey has declined to participate in Eric’s film, and that’s a big neg. The movie is toyt.

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I write about 50 business checks a month. The other day I hit check number 10,000. This made think of some old-timers (not me, other old timers).

I’ve had tenants whose personal checks went into the 8000s. I respected those people, their age, and their numbers. Also, I knew their checks wouldn’t bounce. The scariest check number is 101. Young tenants don’t even know how to write checks. I have to fill in certain lines for them.

That 10,000. Please respect it.

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I followed klezmer clarinetist Sid Beckerman around KlezKamp — the annual music conference in the Catskills. Sid talked to me. Big deal? Yes. Sid was paid staff, and I was just a paying student. Staff had a lot of demands on their time.

Sid had no ego. Sid was “discovered” by klez revivalists and made his first record at age 70. (He died in 2007 at 88.) Sid had a proprietary book of his own tunes. The book was nicknamed “the sheets,” short for “sheet music.” Sid’s sheets were guarded — quarantined — by pianist Pete Sokolow, who had transcribed the tunes.

Sid Beckerman 1998

I wanted a copy of the sheets, so I gave Pete a xerox of a 1938 magazine article about “Bay Mir Bistu Sheyn,” hoping to get in Pete’s good graces. Pete was not impressed. He said, “The sheets? What sheets? I’m so busy. I’m working up an arrangement for fifteen people. What did Sid say?”

Sid said, “What transcriptions?”

I offered Sid $20 for the sheets, which he turned down.

A year later, 1991, the sheets came out as the Klezmer Plus! Folio by Tara Publications. Everybody could now buy the sheets. Pete and Sid had just been protecting their intellectual property.

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Brian said he was good for the rent. He said, “I’m not like that [a deadbeat]. I pay. I’m an artist. I have $750 tied up in PayPal right now that won’t be released.” His paintings were dark and red like Franz Kline’s. He didn’t pay and I evicted him. The good news: he paid after the legal hearing, so he stuck around. I said, “Modigliani didn’t pay his rent either.”

“The guy who did the long faces?”

“Yep.”

Brian didn’t pay his rent the next month, so I evicted him again, and this time he moved  out, and left a wall of splattered paint, like Jackson Pollock. Also, he wrecked the bathroom floor because he never used the shower curtain. He left one painting, which I offered to the building manager.

The bailiff bumped into me at the city court and said, “Your tenant knocked over a couple display shelves in Drug Mart and is under psych observation for a couple weeks.”

“He’s already out of my apartment,” I said.

I told an employee about Brian. This worker liked to stay up-to-date on horror stories. The employee said, “There are two sides to this. Everybody is mentally ill.”

“He sold paintings in Germany on the internet,” I said.

“Everybody is a star on the internet. There are two sides.”

At least.

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The clarinet can injure your right thumb, which holds a disproportionate amount of weight when you’re standing. I had a pain in my thumb that lasted one and a half years. I drove to Cincinnati to see a specialist. Then I did Alexander Technique and every other technique short of amputation. The clarinet is not only the licorice stick, it’s also the agony stick.

Here are another couple reasons the clarinet is the agony stick: The fingering patterns for clarinet are harder than sax, and the clarinet has the “break,” the awkward leap from A to B in the middle register. And the clarinet sounds horrible the first year or two you play it. I asked a sax guy in a big band if he played clarinet. He said, “I have a clarinet.”

—–

Theodore “Toby” Stratton, age 67, 1984.

Hey, I have something else for you to read. My latest essay in City Journal.
The essay, “Beating My Dad,” is about how I hope to outlive my father.

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The bride can ditch her own wedding. She gets the flu, or a headache, or a swollen ankle, and lies down for a few hours. Misses the whole party. Or what if the mom dies during the “Chicken Dance”? That happened. Not at my gig, but at my video guy’s gig. Did he get it on tape? I don’t know. My video guy died.

The video guy had a video rack which I called the Tower of Power. He barely budged from the rack the whole night. That bugged me. For instance, when Yiddishe Cup strolled table-to-table taking requests, the video guy would tell me which tables to go to. Like “Can you do the head table next?”

I thought to myself, “Why should I do the head table next? I’m in charge of this band.” I told him no. The head table was nowhere near us, but it was near the Tower of Power. I said, “Why do you want me to go over there now?”

“Because I want to sit down,” he said.

Screw that.

“I’ll remember this when you want a favor,” he said.

Then he died. I didn’t know he was gravely ill.

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I like the woman who beat James Holzhauer on Jeopardy! Monday night. I think she’ll go far. (If she lost last night, please ignore this paragrah.)

When my kid Ted — he was 23 at the time — won on Jeopardy!, our family had to keep his wins a secret for a few months. If the news got out, Ted wouldn’t get the money, for one thing. Jeopardy! tapes its shows a couple months in advance. How does Jeopardy! keep the taping results a secret? [Maybe Robert Knecht Schmidt will read this “Klezmer Guy” post and tell us. He’s a former J! contestant and expert.]

Relevant to this — today’s date, June 5. For Ted’s second game, the Final Jeopardy category was Middle Eastern Affairs, and the “answer” was “The Arab-Israeli War that started on June 5, 1967, ended with a cease-fire on this date in Israel.”

Ted knew about the Six-Day War, and so did the two goys who rounded out the panel. I — watching at home — did some easy math; I added 6 to June 5 and got the answer: June 11.

Wrong, Pops. It’s June 10. (Use your fingers to figure out the right answer, and while you’re at it, check out the math concept “fencepost error” on Wikipedia)

Ted answered correctly, and the others got it wrong. I have never been more flabbergasted.

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