Real Music & Real Estate . . .

KlezKamp shuts down this month after 30 annual get-togethers. This post looks at KlezKamp 1990.  KlezKamp was a huge positive influence on many musicians.

Sid Beckerman was a living legend of klez clarinet. I followed him around KlezKamp — the  annual music conference in the Catskills.

Sid talked to me!  Big deal?  Yes, it was.  Sid was paid staff, and I was a payer, as in student/customer/fawner, and paid staff was on a higher plane, hard to corner.  They had a lot of demands on their time.

Sid Beckerman, 1998

Sid had no ego, according to Washington clarinetist Rodney Brooks, another student.  “Sid was never a star,” Rodney explained.  Sid was “discovered” by klez revivalists, and made his first record at 70.  (He died at 88 in 2007.)

Sid had a handwritten tune-book called “the sheets,” as in “sheet music.”  Sid’s guardian of “the sheets” was pianist Pete Sokolow (b. 1940), who had transcribed the tunes for Sid.

The most popular tune in the collection was “SB7,” which meant “Sid Beckerman tune #7.”  Dave Tarras had originally recorded it as “Di Zilberne Chasene” (The Silver Wedding).  Yiddishe Cup recorded it as “40A.”

Pete Sokolow, 2007

At KlezKamp I developed a strategy for getting the sheets from Pete Sokolow.  First, I gave Pete a xerox of an obscure 1938 magazine article about “Bay Mir Bistu Sheyn,” hoping to get in Pete’s good graces. Sokolow, stuffing the magazine article in his pocket, said, “The sheets?  What sheets?  I’m so busy now.  I’m working up an arrangement for fifteen people.  What did Sid say?”

I hadn’t asked Sid.  So I went to Sid and offered him $20 for the sheets.  Sid said, “For what?  What transcriptions?”

Funny, all the clarinetists from D.C. knew the SB tunes. So I badgered Rodney, the dean of D.C. clarinetists, some more.  I hocked him.  He finally admitted he had the sheets.  “You can xerox them,” he said.  “But don’t say you got them from me.  Somebody might take umbrage.”

A year later, 1991, the sheets came out as the Klezmer Plus! Folio by Tara Publications.  Everybody could buy them.  Sokolow and Sid were just protecting their investments.

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The above post is a rerun.  A version ran as “The Sheets,” 10/7/09.   Also, please check out the first comment (recycled from ’09) by Steven Greenman, about Sid Beckerman.

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SIDE B

OK, you want to read something new . . .

I NEED A BEER!

I yelled at my wife today. Nothing new there. She forgot to buy milk.

I need a Bud. My neighbor — a guy from Germany — says Bud is the best beer in America.

I drink too much, I know that. Anymore, I’m surprised my wife puts up with me. My kids left. They won’t even talk to me.

I know I should cut back. I’d like to get down to a case a week. I had a friend who drank himself to death at 42. He put away a case a day — 24 brewskis. That’s ridiculous even by my standards. Four beers a day is what I’m shooting for.

I need a beer!

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This is a fake profile.
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Yiddishe Cup plays First Night Akron (Ohio) New Year’s Eve, 9:30 p.m. John S. Knight Convention Center. Booze-free event.

Did somebody say free booze?

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Eric Krasner came to Cleveland to make a movie about Mickey Katz, the Cleveland-born klezmer clarinetist and comedian.

Eric wanted to see where Mickey was born, and where Mickey’s wife grew up, and maybe where Mickey’s father’s tailor shop had been.  I said to Eric, “I’m not a filmmaker — and I don’t want to tell you what to do — but if you want another opinion, I don’t think you should show every place Mickey took a shit.”

We went to the old Euclid Avenue Temple (now Liberty Hill Baptist Church), where Mickey was married in 1930.  Eric — teasing me — filmed the men’s room and said, “This is where Mickey urinated after his wedding.”

Eric asked why Katz (1909-1985) isn’t more acclaimed in his hometown.

For one thing, nobody has ever heard of Mickey Katz!  Mickey is not LeBron, or Superman, or Pekar, or Bob Hope. (All local boys.)  Katz was Joel Grey’s father and Jennifer Grey’s grandfather.

Eric and I went to Glenville, an inner-city neighborhood where Mickey spent his teenage years. We found the Glenville Hall of Fame. Mickey didn’t have a plaque.

One aspect of Eric’s movie — my guess here — is, why doesn’t Mickey have a plaque of some sort — a street, a “Mickey Katz Way” — in his hometown?

Eric found Mickey’s birthplace near E. 51 and Woodland by the Ohio Food terminal.  Sawtell Court — the actual street where Mickey was born — doesn’t exist anymore. It’s a grassy field. Eric drew a sign, “Birthplace of Mickey Katz 1909,” and put it on a fence.

Eric drove all the way from Maryland to film that sign.  I hope the movie, minus the urinal, happens.

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Yiddishe Cup plays New Year’s Eve at Akron (Ohio) First Night.  9:30 p.m, John S. Knight Convention Center.

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I’ve been managing bands for years, mostly as a hobby. I know something about marketing, booking and touring. I won’t discuss that stuff here, other than to say the most important thing nowadays is DIY: publicity stunts, cameo appearances at strip joints, stealth holographic projections of your band onto billboards at night.

I have this group, Vulfpeck, who I manage informally. They do the opposite of whatever I tell them. Like I say send a press release to the New York Times, and they don’t.  They don’t know what a press release is.  They’re all about social media.  I’m about social too; hello, my name is  _________.

Vulfpeck, they have no idea how well I manage them. I lead a second life through those guys, at no charge to them. Right now two of them are in L.A., one is in Ann Arbor, and the other is at a racino in Toledo.  I follow them.  (I know where you are too, and I’m not pleased.)

Check out this terrific Vulfpeck vid, “Christmas in L.A.” Came out yesterday. Get in on the ground floor. Has a dog in it:

https://www.youtube.com/watch?v=d5K3UgrPdbQ&feature=share

I tell Vulfpeck to sell themselves.  Get a publicist for starters.  Naturally, they don’t. They generate fuzz through Facebook and Twitter.  I’m old school; they’re New School.  I need help from the Urban Dictionary.  (“Fuzz” means “hipster buzz” — to me.)

I’m Vulfpeck’s manager. They don’t know it.  If they did, they’d fire me.

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This is a fake profile.  Or at least 51 percent fake.

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I envy you. That’s not good, but I can’t help myself. I envy a lot of people.  For instance, I envy the patients at the Cleveland Clinic. They are among the 1,700 sickest people in the city.

The Clinic is the fourth-best hospital in the country, says US News & World Report. I envy that number-4 ranking.  I’d like to be fourth best at something. Fourth shows mastery and modesty.

I want to walk through the Clinic in a white lab coat.

I just did . . .

Palliative Care, Desk C-20. People are dying and feeling OK about that.  I envy that “feeling OK” part.  I take drugs but don’t feel that good.

Pain Management, H-70. The patients there don’t know what pain is!  My car has terrible static on 91.5 FM — the jazz station. That’s pain.  What’s your BMI?  I’m 23.33 kg/m2.  My pulse is 53 —  slightly higher than a dead man’s.  If your pulse is lower than mine — and you’re not dead — I envy you.

Dermatology, G-50.  The doctor took full-body naked pics of me.  TMI.

Eye Clinic, I-20.  Floaters to my left, floaters to my right.  Nice.  At the eye-clinic parking lot, I told the toll attendant, “You’ve got the most dangerous job in the world, because half the people coming out of here are blind.”

“Don’t you know it,” he said. “This is the third time we’ve fixed the turnstile this month.”  I envy him the crashes he sees.

Envy Clinic, NV-50.  I’m here for a while.  Will report back in a month.

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Fake profile.

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I was at a brunch where all the men wore Ohio State apparel.  That in itself was not unusual; I know a lot of Ohio State fans who do brunch, but the host at this brunch was particularly Bucks-nuts; he would not let anybody into his house with Michigan gear on.

I didn’t have any on.

I’m not that big a football fan. I’m a Michigan graduate but I wish Ohio State all the best — most of the time. I like it when Michigan is winning, but this year the team is horrible, so let Ohio State go all the way.

Yiddishe Cup had a trumpet player — a sub — who played in the Ohio State marching band. He played a luncheon with Yiddishe Cup, and the OSU-Michigan game (originally scheduled for 3 pm) went on at noon, so I gave the musician leeway on the bandstand; I let him periodically watch the Bucks on a TV in a corner. The other guys in the band thought I was too accommodating. They didn’t
understand . . .

Take 1962: OSU versus Northwestern, homecoming.  Before the game, my dad and I went to a reunion luncheon.  My dad had on a Class of ’38 name tag. I don’t know what the name tag read; my father changed his name from Soltzberg to Stratton in 1941. The theme for the fraternity floats in 1962 may have been “Peanuts.”  My dad knew the words to “Carmen Ohio,” the OSU alma mater.  My dad never knew the words to any song!

My dad and I went to about a half dozen Ohio State homecomings. I liked Long’s Bookstore for sweatshirts.  Charbert’s for hamburgers.  We checked out the floats on fraternity row.  My dad wanted to show me the medical school.

The Bucks: Tom Matte, Warfield, Matt Snell and Bob Ferguson.

If Michigan doesn’t win it all (and it ain’t going to this year), let Ohio State.

Julia and Toby Stratton, Ohio Stadium. (My mother went on our first homecoming outing, 1959.)

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Seltzer is a major player in my house.  My wife, Alice, bought stock in seltzer, SodaStream, and I drink a fair amount of La Croix and occasionally Klarbrunn from Costco. I stick to lime and lemon. I should try peach. I was at a party — on a gig — where the host had all the La Croix flavors, but I wasn’t thirsty so I didn’t open up the various cans and sip.

Jack Stratton, 2011,
with SodaStream

There used to be seltzer delivery guys. I never saw one. My friend Shelly had home delivery.  My parents didn’t. My mother was big with Diet Rite Cola, though. My son Teddy favored Hank’s Root Beer.  Alice used to be a diehard Diet Coke proponent.  My son Jack loves SodaStream.  My daughter, Lucy, doesn’t drink much.  That’s the story of carbonation in my family.

Alice gives SodaStreams as gifts. She hopes her purchases will increase the stock’s value.

I know people who can distinguish club soda from seltzer water, and can expound on the level of fizz in SodaStream versus canned seltzers.  My wife is one of those persons.  She is Seltzer Girl.

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Check out “Mississippi Albert” in Belt Magazine. It’s about my “roots” in Mississippi.  When I taught blues harmonica, I told the students my mother was from Yazoo City, Mississippi.  I wasn’t lying!  Here is the story.   I traveled to Mississippi. This photo, below, is from Cleveland Heights, 1977:

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One more photo . . . from Mississipppi, about 1926. My mother, Julia Zalk Stratton, age 6, on R; her older sister, Bernice Zalk Golden, in back; and baby sister Celeste Zalk Kent (who is now 87) in the high chair; and a cousin on far L:

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My friend Charlie came from Detroit to visit the Rock and Roll Hall of Fame.  Charlie collects Grande Ballroom (Detroit) rock-concert posters and wanted to check out the Rock Hall’s collection.

Charlie gave me a day’s notice.  Turns out, we didn’t see the Rock Hall. We walked to Fairmount Circle to Dave’s Cosmic Subs. Dave himself was there. Dave doesn’t own the Fairmount Circle sub shop and never did. (It’s a franchise of his.)  School kids were excited that Dave was there. Dave is a former rock and roller of some sort.  I’m not crazy about him because I once rode my bike to Dave’s Chagrin Falls store and ordered a sub, chips, and a cup for water, and he told me he had no cups; I had to buy a bottle of water. That stuck with me. Then the same thing happened last month at Fairmount Circle, and I ranted, “What about Taco Bell? McDonald’s?  You can get a cup anywhere.  It’s bad for business!”

Charlie and I met with Ralph Solonitz, Klezmer Guy’s illustrator, at Fairmount Circle Dave’s. Then Irwin Weinberger of Yiddishe Cup strolled by on his way to the dentist.  Super power-lunching. We talked retirement.  Charlie told me to “float,” which meant take it easy.  That would be hard.

Irwin Weinberger (L) and Ralph Solonitz

Charlie and I rode the Rapid and checked out downtown buildings. We also saw the play The Merry Wives of Windsor and biked.  The next day at Corky & Lenny’s, we talked stock investments.  Charlie is big on rock music, but not that big, apparently.  We would need 36 hours in Cleveland to see the Rock Hall.

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I charge a $20 late fee if I don’t get the rent by the seventh day of the month. Some tenants regularly pay the $20 late fee, because $20 is nothing compared to, say, a credit-card late fee.

I had a tenant who promised to pay on the 11th. He changed to the 15th. Then the 20th.  Today — October 29 — I have just one late tenant.  She said she’s not paying because she had a stroke and is broke.  She sounded pretty good on the phone for a stroke.  I asked my wife, a former RN, about that: “Can you talk right if you just had a stroke?”

My wife, Alice, said, “It depends what part of the brain it affected.”

One guy had his foot cut off due to diabetes. That’s a decent excuse.

I generally don’t allow late payers to slide into the next month. “Mom is sick . . . My grandmother died . . . I switched banks and they messed up my account.”

Why didn’t you call me?  Why am I calling you?

Maybe I should charge more than $20. Some landlords charge by the day, like $10/day.  But life is too short for that kind of intense bookkeeping.

I have a tenant who has been late every month for 30 years.  I hope I outlive him to get his final month’s rent.

Sometimes I lean too hard on the tenants and get no late fee — no rent.

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Yiddishe Cup is a soul band, Jewish and otherwise.  Check out our version of Aretha’s “Respect.”  We play a wide range of American pop music.  Please don’t boot us out of your wedding after the hora.  Hey, we’re better than those other wedding bands!  We’re slicker than schmaltz laced with WD-40.  Our newest singer is Tamar Gray.  She works the crowd.  Fun . . .

https://www.youtube.com/watch?v=EyjzxJW3y78

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Yiddishe Cup played four Century Village retirement communities in Florida.  Each Century Village had a theater the size of a basketball arena. Other acts on the boards were Debby Boone, Dr. Ruth, Jack Jones, “Jim Bailey as Judy Garland,” Joel Grey, and Larry Storch, “the lovable Corporal Agarn from F-Troop.”  (This was in 2002.)

One cummerbund-popping emcee told us he had opened for the Righteous Brothers, and had done Las Vegas, the cruise ships, and been married nine times. He said, “Only Mickey Rooney has me beat.” His latest wife wouldn’t let him travel, so he sold Cadillacs during the day and emceed Century Village shows at night.  He told us two “inside” Century Village jokes:

What’s 25-feet long and smells like urine?

The conga line at Century Village.

What’s an 80-year-old man smell like?

Depends.

The band wasn’t allowed to mingle with the audience after performances. That was a rule.  Another Century Village rule was do not walk off stage for an encore because the audience will leave and you won’t get an encore. Also, don’t take an intermission because the lines at the restroom will be so long the intermission will never end. Also, do not sell CDs.  Why not?

We broke some rules.

We never got asked back — and the crowd liked our comedy stuff!  I think they did.  I remember talking to a New York couple after the gig (violation of rule #1).  They liked us.

I would like to return to Florida, but it won’t happen unless I buy a condo at Century Village.

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My mother, Julia, never saved anything. When she moved to assisted living, the only thing she kept was her dining room set and some clay pots my dad had made.

My dad was an amateur potter in his retirement. He didn’t use a wheel; he pinched the clay with his thumbs.  His work wasn’t too good; I threw most of his stuff in the garbage. My mother watched and said, “How could you!”

“Mom,” I said, “I’m saving some of  it– some representative pieces!”

Address Your Mess.

Address Your Mess is a woman in Cleveland who, for a fee, de-clutters your house. My mother didn’t need her.

Maybe I need AYM.  I have report cards from elementary school in my attic.  My mother said I could be president someday, so I’m holding on to the report cards.

Is my mess more important than your mess?

I gave the Address Your Mess phone number to a high school friend whose parents moved out of their bungalow after 50-plus years. They had stuff.

I read about an elderly woman in southeast Ohio who had 36 boxes of cereal, GAR medals and a wooden fife from the battle of Chickamauga.

I have UN stamps too, besides the report cards.

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Here’s a vid, “Square Mile,” about real estate and board games:

https://www.youtube.com/watch?v=qYnabJr7esc

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Yiddishe Cup is at Fairmount Temple, Beachwood, Ohio, tonight (Wed.) and Park Synagogue, Cleveland Hts., tomorrow night. 

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I’m a German klezmer musician. Hold your questions. Here are the answers:

I live in Berlin. My aunt once told me — she was drunk — “Why do you play that crap? You’re German!”

I play every year Kristallnacht commemorations, where there is always at least one Jew who comes up to me and says, “Are you Jewish?”  I say no, and he’s says, “You have to be!”  Sometimes I tell the person my grandfather was Romanian,  just to move on.

I also play jazz and funk (Vulfpeck).  I have played even for Orthodox Jews in the States, but they don’t thrill too much to my jazz music.

I play reeds — saxophone and clarinet.  I don’t try to be Jewish.  I never wanted to be Jewish or not Jewish. Somebody said, “You’re not really a Jew unless at one point in your life you didn’t want to be a Jew.”   I don’t know about such things.

In the Middle West, in Ohio, an old Jew called me a “poseur.”  I had to look that  up.  He was a klezmer musician.  Maybe he was a poseur.  The middle of the United States is very red, I think.  Only he could play klezmer, I think he means. If people think I’m a bad person for playing music from somewhere else, then they know damn little about music.

I’m a klezmer musician.  Forget about the German part for a second.

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Check out Magdalena Waligorska‘s nonfiction book Klezmer’s Afterlife, about the klezmer scene in Berlin and Cracow. Forty-three percent of this post is lifted from the book.

File this under KlezFiction and Fake Profiles.

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I like to proclaim “golden ages” as they happen. My record is 2-1.

Win: The klez revival. In 1998 I told my band: “This is the golden age of Yiddishe Cup. We’re getting gigs in the Upper Peninsula of Michigan.” We flew to the U.P. via Minneapolis, then on to Calumet, Michigan, a mining town with an opera house.  Every town in America hired a klezmer band in the 1990s for its multicultural performing arts series.

Lose: I didn’t see the real estate crash of 2008-09.  A couple young guys wanted to buy my Riverview building in Lakewood, Ohio, in 2004, and I asked too much.  I wish they had bought it. I should have come down in price.

Win.  The peak of Cleveland Jewry was 2000. The Jewish Federation would bring in entertainers like David “Dudu” Fisher and Mike Burstyn for galas. Burstyn and Fisher both charged at least $15,000.  I took my mother to see Burstyn.  She was in a wheelchair with Parkinson’s.  I wheeled her to the front of the room, where the machers were. Some of the “healthy old” looked kind of scared of my mom.  The Jewish Federation employees wore earpieces like FBI agents and worked crowd control; others Federation workers ran the wide-screen video and cued up speeches; and other workers told guests where to line up for dessert — the most important event. Fisher and Burstyn haven’t been back since.

We’re in the golden age of the Klezmer Guy blog now.  What other golden ages?  I don’t know.  You tell me. The golden age of golden-agers?  I’m playing a lot of nursing homes lately, specializing in 80th, 90th and 100th birthday parties, and the residents and nursing homes are looking very spiffy.  I hope those facilities — and the residents — look that good when I’m there.

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It is odd to busk — play the streets — when you’re middle aged. (Or  old.)  I played Rome last month. I played the Jewish quarter — the ghetto.  My musician son, Jack, skedaddled.  He would have nothing to do with me.  I didn’t know any Italian Jewish music, but who does?   I played “Erev Shel Shoshanim,” some klezmer and standards like “All of Me” and “That’s Amore.”

My most appreciative fans were a group of college-age boys. They plied me with coins.

Afterward I said to them, “Here’s your money back. You were my best fans.”

Lucy (Stratton) Kaegi with gelato.  “Larry David” with clarinet, background.  August 2014

They insisted I keep the money. One kid said, “Do you watch Curb Your Enthusiasm? It’s our favorite show.” Another kid said I looked like Larry David.

“I’ve seen Curb,” I said.

“What about Seinfeld?”

“Also, good.”

“You guys Jewish?” I said.  I wasn’t sure; their English accents threw me off.

They said yes.

“Where you guys from?”

“Australia.”

“I’ve never been to Australia,” I said.

“Come to Sydney. It’s beautiful!”

“I’d like to.”  If I can clear at least $10 on the streets, I’m there.

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Footnote:the photo is not from the Jewish quarter.  But it’s Rome.  I roamed.

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Here’s a second busking story, from the archives: “Busking in Israel and Elsewhere,” Times of Israel,  7/12/12.

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A new essay from City Journal: “Bubbles, Booms, and Cash Flow.”  Not about busking.

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You’re interested in klezmer music, but tell me honestly, do I exhaust you with too much klezmer reporting?

I’m the only klezmer journalist in the world, so yes I’m prolific. No wait, there are a couple more writers . . . Rogovoy in Massachusetts, Kun of California, Robinson in New York, Davidow in Boston.  And some academics too.

We meet up virtually, and collaboratively, right here. At least I think we do.

My life is filled with klezmer.  Do other people have klezmer dreams? Do people have bluegrass dreams? Why would they?  What about Chagall — didn’t he have klezmer dreams?

Existence is a wall to climb over.

I’m over it.

I have no big statement on klezmer. I started playing it because I didn’t know what else to do.  Buddy Holly, I like him; B.B. King, excellent. I couldn’t be those guys. I tried.

In college I wrote about jazz.  There is jazz writing. There are jazz journals. What about klezmer journals?  I started one: Klezmer Guy. It’s online. Check it out.

I like quirky music with glitches — in short the wrong note in the right place.  I like the staccato of Yiddish and the clarinet.  My speech is a cluster of blobs and blurts. Some of it makes sense.

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Fatima had a B.A. and a steady job, and was single — for about three days, until her boyfriend moved in with her. The boyfriend wouldn’t fill out a rental application. He drifted around the basement electric meters with a screwdriver.

The building manager told him to stay out of the meter area.

He said, “How do you know I’m not a registered electrician?”

The building manager said, “Because I didn’t call one.”

I got a call from an anonymous man: “Watch out. Fatima is no good. She owes me $40, and her boyfriend carries a gun.”

I told Fatima I’d give her all her money back if she left within two days. If she didn’t move out, I would evict her for “unauthorized roommate.”

I gave her $900 back, and she moved. Add another $100 to that — my extra cost  because I owed a tenant in the building $100 for recommending Fatima. I couldn’t not pay the guy for his referral; I had approved Fatima, and then she had screwed up, bringing in her boyfriend with the screwdriver. 

There were several screwups.

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“Fatima” is a pseudonym.
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Check out Jack Stratton’s latest Kickstarter. He’s hoping to raise $25.  Click here for info.  And watch this slightly incoherent vid:

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I saw Wilma Salisbury, the former Cleveland Plain Dealer dance and music critic, at a concert. She used to be feared  — used to be.  When she stopped writing for the Plain Dealer, she became just Wilma Salisbury.

I saw Eleanor Mallet. She was a columnist a couple decades ago. Now she’s simply Eleanor Mallet.

Winsor French — the late Cleveland Press columnist — arrived at work in a Rolls. This was in the 1930s. He was independently wealthy. He went all over the world during the Depression, reporting on glamorous parties, for working stiffs in Cleveland. He also wrote a lot about Cleveland nightlife.

Have you read any book-length compilations by newspaper columnists? I read one good one: Eric Broder’s funny The Great Indoors. What if you read 45 Dick Feagler columns in a row? Would you die?  (Dick Feagler is an excellent writer but 45 columns in a row about the good old days, that’s rough.)

Here are a few other former Cleveland columnists: Don Robertson, Alfred Lubrano, Jim Parker, Jim Neff, Mary Strassmyer, Tom Green . . . I’m just getting started. (No Googling either.)

I was a columnist once.  I wrote about candy, sheepshead and the library for Sun Newspapers.  I picked easy, uncontroversial subjects.  I was too ambivalent.

Sun Press 7/29/82

Terry Pluto, a Plain Dealer sportswriter, moonlights as a religion columnist. I sometimes clip his columns for inspiration. Pluto phones clergy and asks (my guess), “Can you tell us how to live — and preferably in three or fewer sentences.”

It’s tough to crank out columns weekly.  Pluto quoted a rabbi who cited Pirke Avot (a section of Talmud): “The one who is wealthy is satisfied with what he has.”

Do I covet Pluto’s job?

Nope.

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I had an essay in Belt Mag last week about delis. (Boni: Some interesting comments at the end of the article.)  Click on “Deli Men”

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Clevelanders, Yiddishe Cup plays tomorrow (Thurs. Aug. 7) at 7 p.m. at John Carroll University.  We’re on the lawn in front of the Grasselli Library.  Park at the college lot across from Pizzazz restaurant and walk toward the campus.  Bring a chair or blanket.

The concert is free.  If raining, the show is indoors at the Dolan Science Center.

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The mayor’s assistant told us not to play any klezmer music — “nothing ethnic,” she said.  Just American.

No klezmer?  Why did the mayor hire Yiddishe Cup for the city’s summer concert series?

Our contract rider stipulated a fruit platter, bottled water and diet colas. A good gig, food-wise. But what were we going to play?

I said, “You don’t want to alienate anybody with ethnic music?”

“Exactly,” she said. “That’s the mayor’s thought.”

“How much non-ethnic music do you want?”

“All or mostly.”

“Can you give me a percentage?”

“Ninety percent American music,” she said.

Yiddishe Cup played “Dock of the Bay,” some Motown, Beatles, “Hang on Sloopy” and “Old Time Rock And Roll.” A Chinese woman liked “My Girl” so much we played it twice.

I told the crowd Yiddishe Cup started out as a deli on Kinsman Road, then moved to Cedar Center, and ultimately wound up on the far East Side. I  kept up that quirky patter throughout because “My Girl,” the second time through, wasn’t doing it for me.  A city councilman asked where Yiddishe Cup had been at Cedar Center. I didn’t answer because I didn’t know. I should have said, “Between Abbey’s and Solomon’s.”  Or maybe “We were in back of Harvey’s Backroom.”

We snuck in “Miserlou” — a Greek tune.  We did a Macedonian tune.  We did an Israeli tune (!)  And for some reason, “Hawaii Five-0.”

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SIDE B

1 IN 25

When I went to the solidarity-with-Israel rally in Cleveland last week, I figured I would know 1-in-10 people. I knew 1-in-30, at most.

There were 2,800 people. That was a letdown — not the 2,800, but I didn’t know more of them. I knew many of the cantors, rabbis and Federation speakers but I didn’t know many of the rank-and-file yehudim.

I knew one person in this photo.
  (Cleveland, 7/22/14)

Shouldn’t I — after 25 years with Yiddishe Cup — be more plugged in than 1-in-30?

There were Christian groups from far off places (Aurora, Westlake), so maybe I’m more like 1-in-25 (with lantsmen).

Give me 1-in-25.

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Yiddishe Cup plays 7 p.m. Thurs., Aug. 7, at John Carroll University as part of the City of University Heights (Ohio) Summer Concert Series.

Alice Stratton and Daniel Ducoff at the 2012 Univ. Hts. summer concert. (Photo by Jim Olexa)

The concert is on the lawn in front of the Grasselli Library on the quad. Park in the college lot across from Pizzazz restaurant and bring a blanket or chair. If raining, the concert is in the Dolan Science Center. Free. (We always deliver a top-notch kosher-for-Pesach klezmer  show for University Heights.)

Guest vocalist Shawn Fink will sing “Joe and Paul’s,” a 1940s comedy classic, and the band will do its original “Warrensville and Cedar Road,” about TJ Maxx, Bob Evans and Target.

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I lived in a Cleveland Heights duplex  — a side-by-side.  Joe, the landlord, lived in the other half.  He wore a sleeveless T-shirt, smoked cigars and nagged his wife.

A note taped to the thermostat — on my side of the house — read: “Whoever is turning the thermostat up and not turning it down, is throwing money out the window!”  I lived with a social worker, a Case Western Reserve nursing student from a strawberry farm in Lake County, and a telemarketer. I met these guys off a bulletin board at Case.

I practiced guitar in the basement, trying to be Bob Dylan.

When the social worker moved out, a woman came by to look for a room to rent.  I met her at the house’s front door and said, “We’re looking for somebody clean, quiet, and . . .”

“Cute?” she said. She was wearing taped glasses. Nevertheless, she was not bad looking.

The strawberry farmer said to me, “You think she’s Jewish?”  (He was always looking out for me.)

“She’s a nurse from West 45^th Street,” I said.  “Not likely.”

The woman rented the room. Then the landlord’s wife, Gertie, kicked her out.  Gertie said, “Girls spell trouble. I’d rather deal with men.  You should take that as a compliment, fellas.  Why would a girl who makes a good living want to live here anyway?”

Joe, the landlord, chimed in, “We have to be indiscreet about this.  What if you all start bringing in girls?  It’ll look like a whorehouse.  You’ve always been gentlemen till now.”

I went down the basement to practice.  I was making $9/hour teaching blues harmonica at the adult-ed program. Not bad for 1977.

The nurse moved out, to her own place, a nearby double, and I called her and we went out. We hit it off.  I told my parents, “She’s from West 45^th Street.”

My father said, “Are her parents devout Catholics?”

“She’s Jewish.”  (She was. I wasn’t pulling my dad’s leg, for a change.)

My mother said, “I’m getting a new dress now.  Get married. You can get divorced later. You promised you’d get married when you’re 27 and you’re 27.  A Jewish girl in nursing?”

“Because she wants to marry a doctor,” my father said. “Anything wrong with her?  She’s a 26-year-old unmarried Jewish girl.”

“Girls are more independent nowadays,” my mother said.

The girl and I got married the next year. 

The girl, Alice Shustick, 1977

—
Footnote: Alice lived on West 45th Street because it was somewhat near Tri-C West nursing school, and the rent was cheap.

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Tacky tourist attractions are popping up near the stellar Challah Fame. The latest shtick dreck is the Yiddishe Cup Experience, in the old Beef Corral at Cedar Center, South Euclid, Ohio.

Sombuddy pleaz open ah vindah!

Don’t go.  Repeat, don’t go. Here’s what you’ll “miss”:

1. The first Jewish traffic light (a semaphore actually), from Kinsman Road, 1925. The semaphore has matzo, knish, and seltzer symbols instead of red, yellow and green.  The semaphore was taken down in 1926 because the Italians couldn’t tell matzo from knishes.

2. Theodore Bikel and Mickey Katz hand puppets. Who made these?  [Josh Dolgin of Canada.]

3. The “Jewish Underground Railroad Experience.”  A sandbox. Supposed to be the Sinai.

5. A “Chagall” mural by Anonymous, scraped off the wall from Mira’s Cafe, Mandel JCC, Beachwood, Ohio.

6. A video clip from Harley Son of David, a movie about Jewish motorcyclists.  Music by Yiddishe Cup.

7. Klezmer-themed postage stamps from Lichtenstein and Malaysia. Musicians on the stamps include Marcel Salomon, Adrianne Greenbaum and Moshe Berlin.

8. A matchbook from Solomon’s restaurant, Cedar Center, 1966.

9. Itchy the Squirrel, an animatron who sings “Oyfn Pripetchik.”  (Poor fidelity, but surprisingly good Yiddish.)

10. Shtetl Avenue — a recreation of 1920s East 105th Street, complete with midwives, klezmer bands, appetizing shops and candy stores.   Staffed by teen volunteers from Agnon School.

The place is horrible. Don’t go.  Go to The Challah Fame.

(Yiddishe Cup, the band, is not affiliated with the Yiddishe Cup Experience.  Again: Yiddishe Cup, the band, is not affiliated with the Yiddishe Cup Experience)

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I’m not good around movies. I frequently go negative right afterward. I can’t stand being in a dark room for two hours watching mostly junk. What percentage of movies are good? Not that many. I get dragged along to movies because I’m a social animal.

I went to Supermensch: The Legend of Shep Gordon. I had read an interview with the “legend” in the Forward; I liked the word “Supermensch” in the title; and a friend said the movie was good.  Lastly, and most importantly, my wife wanted to go.

Shep Gordon is a booking agent/manager, who managed Alice Cooper, among others. Shep did a lot of drugs and messed around with a lot of women. He was loyal to his clients — for sure the ones interviewed in the movie. Gordon comes off as a very loyal sybarite.  In Hollywood that apparently qualifies as a “supermensch.”

Why not more about Shep’s mother, who liked the family dog more than Shep? What about Shep’s brother? He isn’t in the movie. Shep had a few marriages; I lost count.  Gordon hung out with just famous people. (Not entirely true; there were three or four non-famous people in the movie.)  He liked round tables, as compared to square tables, for his dinner parties. Round tables are more conducive to  good conversation. That was interesting.

I walked out when Gordon had a heart attack.  Maybe it wasn’t a heart attack. He was in a hospital bed with tubes in him.  I didn’t hang around for the diagnosis. Heartless.  Me or him?

In the Cedar-Lee Theatre lobby afterward, I was called a curmudgeon and cynic.  I went on Rotten Tomatoes the next day: one-in-four reviews said the movie was crap. So I was redeemed.  Right?  One in four.  I was redeemed.

I wonder what Searching for Sugar Man got on Rotten Tomatoes. I didn’t like that movie either. [Ouch. Almost all positive reviews.]  I thought Sugar Man was too much about the music business and not enough about the guy . . . “We were big in South Africa but not Detroit” stuff. I had a friend who was fairly big in Japan in the 1960s, but not in America. So was Joan Jett. I remember this stuff but don’t want to.

I need a 98-percent-or-better on Rotten Tomatoes to go to the movies. Ninety-eight is my sweet spot.  Sugar Man was 95; Supermensch, 75.

I’m going to check out Anvil! The Story of Anvil on Rotten Tomatoes . . .

98.  Yes.  Anvil! was inspirational; a bunch of Canadian guys with lousy day jobs got their old band back together and toured.  Check it out. And don’t kvetch to me if you don’t like it.

—

Ann Wightman, salutatorian,
Brush High ’68

I wrote this one for Cleveland.com last week: Class Reunions Shouldn’t Have to Be Every 10 Years.

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