Real Music & Real Estate . . .

Yiddishe Cup’s bandleader, Bert Stratton, is Klezmer Guy.
 

He knows about the band biz and – check this out – the real estate biz, too.
 

You may not care about the real estate biz. Hey, you may not care about the band biz. (See you.)
 

This is a blog with a gamy twist. It features tenants with snakes and skunks, and musicians with smoked fish in their pockets.
 

Stratton has written op-eds for the Wall Street Journal, New York Times and Washington Post.


 
 

THE BATTLE OF
THE YIDDISH SOLDIERS

 
Two Jews, three opinions . . .

Warfare. The cops were called. [This was at the 2022 Yiddish concert at Cain Park, Cleveland Heights.] The concert chairman, who had a quite a temper, asked the Cleveland Heights police to eject a Workmen’s Circle (WC) person for passing out WC literature at a card table at the show.

The tightly wound chairman was the head of a group called the Yiddish Concert in the Park (YCIP) committee, an offshoot delegation of the Workmen’s Circle. Farshtey?

The YCIP chairman was annoyed with the WC. It appeared he wanted total control of the show. It was a pishing contest. The police escorted the Workmen’s Circle pamphleteer out.

Can’t we Jews get along?

(Don’t answer that.)

Back in pre-history (the 1980-1990s), the annual free Cain Park Yiddish concert attracted up to 2,000 people. Acts included The Klezmatics, Pharaoh’s Daughter, the Klezmer Conservatory Band, Bruce Adler and Chava Alberstein.

Then the Yiddish-speaking audience dwindled. The target audience pretty much died out. Concert attendance was down to about 400 attendees typically, in the 2010s.

Today: The YCIP and the WC (Cleveland branch) don’t exist. The WC’s website shows nothing much has happened there in the past several years. The YCIP hasn’t met in four years. Gornisht.

I’m a former member of both the YCIP and the WC. People sometimes ask me, “What’s going on with the Yiddish concert at Cain Park? I miss it.” I explain there’s a rump group of five people who use the name Workmen’s Circle, and these folks have self-funded the shows for the past two years. Funded it small-time. A couple grand, most. Not enough dinero to bring in high-quality talent.

Cain Park, which is a city-owned venue, has no time, or the resources, to deal with these nuances. Cain Park doesn’t know Yiddish from spinach. And lately Cain Park has run through two general managers and an interim manager. Aisde: snother established entity seemingly in the dark about all this is the Cleveland Jewish News, which aggressively promotes the WC’s low-rent shows, maybe because the CJN makes money by selling ads for printed concert programs.

In 2023 I met with the then-chief financial officer of the Jewish Federation of Cleveland, and he told me he was fed up with the squabbling committees and “we’re not giving another dime [to underwrite the concert] until we see accounting reconciliations and a financial statement.”

I remember when Yiddishist Henry Green donated approximately $50,000 to the concert fund. He had escaped Europe and started a business in Bolivia, made some dough, and then moved to Cleveland. He died in 1998.

The concert endowment now has more than $150,000, manged by the Jewish Federation of Cleveland. For the record, Henry’s son, Andy, wrote to the Federation in 2023 and said he wanted the dough to go to the YCIP, not the WC. Andy died last year.

Shortly after the cops visited Cain Park, I contacted a rump WC person. He said he wanted to revive the concert in a big way. He had a very talented, very well-known performer in mind. Top secret.

“Come on, tell me who you’re thinking of. I’m a musician,” I said. “Come on.”

“Bette Midler.”

What? “How do you get to Bette Midler?” I said.

“Somebody knows her. She was in Workmen’s Circle.”

Does Midler she still perform? Does she still breathe? Does she know any Yiddish? Would she work for less than rock-star gelt?

[Midler grew up in Hawaii, where which never had a Workmen’s Circle branch.]

I called the Cain Park general manager and said, “We’re not able to attract a national act because the Yiddish Concert in the Park committee [YCIP] doesn’t exist and neither does the Workmen’s Circle.”

This was news to the park manager. He said people occasionally asked him, too, what’s up with the Yiddish concert. (This manager got fired from Cain Park after a year.)

Last year:  The rump WC group produced a show which attracted approximately 75 people. The craziest part of the concert, for me, was when the WC raffled off a Glock gun at intermission.

This year: The Cleveland Jewish News just published a recap of the Aug. 23, 2026, show. Headline:

‘Phenomenal’ annual Yiddish Concert draws over 400 fans.”  

There are three things wrong with that headline:

1.) The concert wasn’t a “Yiddish Concert.” There were no Yiddish songs.

2.) The WC concert chairman, as quoted in the CJN, described the show as “phenomenal,” “amazing,” and “the best I’ve attended.” Where has this man been? Attending Trump University? Did he somehow miss all the previous years’ quality shows?

The Aug. 23 concert featured Mikimi, a not-ready-for-primetime Orthodox Jewish band from University Heights. They played covers of Soul Farm, Carlebach, The Byrds and Jackson Browne. The headliner was Schmaltz, a Michigan bar band that played straight-ahead jazz, with an occasional klezmer riff thrown in. Schmaltz should have played at the Bop Stop, a local jazz club. Good players — Schmaltz. But Schmaltz was the wrong band in the wrong venue. (And they should have been funny with a named like Schmaltz.)

3.) There weren’t “over 400 fans.” There were maybe, max, 200. That’s when Mikimi played. After Mikimi finished their set, many Orthodox left and the crowd dwindled to around 100 for Schmaltz.

 

Mikimi, Aug. 23, 2026, Cain Park. The amphitheater seats 1222. There were less than a dozen people on the lawn. 

 

The Jewish Federation of Cleveland still has the concert’s funding tied up. Maybe forever.

Bring on Bette Midler. The Mandel Foundation ($3.5 billion in assets, Cleveland-based) and the Jewish Federation of Cleveland should kick in the dough. Do it.

Then lights out.

1 comment

1 Dan Kirschner { 09.02.26 at 9:43 am }

From an inquiry to Mr Google: “The Workers Circle officially changed its name from The Workmen’s Circle to The Workers Circle on December 2, 2019.Reason for Change: The organization updated its name to be more gender-neutral and inclusive.Connection to Roots: Leaders noted the new title better reflects its original Yiddish name, Der Arbeter Ring (The Workers Ring).Anniversary: The change was announced at an annual benefit in New York City as the group prepared to celebrate its 120th anniversary.”

Leave a Comment