Real Music & Real Estate . . .

Yiddishe Cup’s bandleader, Bert Stratton, is Klezmer Guy.
 

He knows about the band biz and – check this out – the real estate biz, too.
 

You may not care about the real estate biz. Hey, you may not care about the band biz. (See you.)
 

This is a blog with a gamy twist. It features tenants with snakes and skunks, and musicians with smoked fish in their pockets.
 

Stratton has written op-eds for the New York Times, Wall Street Journal and Washington Post.


 
 

REPORTING FOR DUTY

I traveled a lot in my twenties. I hitchhiked across America four times. I also went from Tijuana to Colombia by bus. I went everywhere. I wrote novels too, which went nowhere.

You can’t take a bus all the way to Colombia. The road doesn’t go through the Panama jungle. I flew from Costa Rica to San Andres island to Barranquilla, Colombia.

I came home eventualmente and at age 25 started working part-time for my dad, painting apartments and pointing bricks. That was the end of the road pretty much, but I continued writing. I wrote mostly about Cleveland. I was trying to be Don Robertson / Herbert Gold. By the way, Gold is still alive (97). I got a job as a beat reporter and wrote about cops and robbers, and even wrote a police-procedural novel about a Slovenian-American cop in Collinwood. The writing was a diversion. Working for the old man was no picnic.

I got married and had kids. That was a good move. Raising kids . . . I was so busy I didn’t have time to think or get down on myself. I reported for duty.

These days I don’t report for duty as much as I used to. I hope Menorah Park reopens  to “essential volunteers” soon, so I can toot my clarinet in the hallways there. But now, with the delta variant, that reopening is getting pushed back again. If I disappear tomorrow, my clarinet-playing might be the one thing the locals miss. My property management game counts too — don’t knock the bricks-and-mortar game. And don’t forget the writing game.

Stop saying “game.”

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