Real Music & Real Estate . . .

Yiddishe Cup’s bandleader, Bert Stratton, is Klezmer Guy.
 

He knows about the band biz and – check this out – the real estate biz, too.
 

You may not care about the real estate biz. Hey, you may not care about the band biz. (See you.)
 

This is a blog with a gamy twist. It features tenants with snakes and skunks, and musicians with smoked fish in their pockets.
 

Stratton has written op-eds for the New York Times, Wall Street Journal and Washington Post.


 
 

CAN YOU TOP MY MUSICAL LINEAGE?

I look for my musical roots wherever I can. My grandmother played piano at a Baptist church in Yazoo City, Mississippi. Not bad. Not good, either: 1) it was a white church and 2) she was reading sheet music. My Mississippi bubbe, Ida Kassoff Zalk, had a brother, Earl Kassoff, in Cleveland. Earl was a drummer, xylophonist and house painter. He led bands in Cleveland under the name Earl Castle.

Because I’m a musician, people sometimes ask me, “Did your parents play? Is your family musical?” Not particularly. That’s why I looked so hard for lineage. I couldn’t find much info on Earl. I talked to a couple relatives. Earl didn’t leave behind sheet music or tune books. He died in 1969. At a gig, an elderly musician/guest and I schmoozed, and I asked him if he remembered Earl Kassoff. The schmoozer was Harold Finger, age 77. He, himself, had played clarinet and sax professionally during the 1930s and 1940s.

I went to Harold’s apartment in Lyndhurst and interviewed him in 1992. He said there had been “four or five bands that got the Jewish work back then.” I asked him what bands. He didn’t remember any names. “What were the most popular Jewish tunes?” I asked. He said, “The Kammen book. That was the big thing.” The Kammen book was the Kammen International Dance Folio, published in 1924, and it is still around. The book is for musicians who don’t know many Jewish songs and have been asked by clients, “Can’t you play something besides ‘Hava Nagila’?”

Uncle Earl’s band did mostly “dance work” — American music, Harold said. Earl had worked the downtown theaters, as well as the Golden Pheasant — a Chinese restaurant where Artie Shaw started out. Harold said he, himself, didn’t stick to the melody all the time. He did some “faking” (improvising). Now he played clarinet in a community orchestra. “I don’t do much jobbing anymore,” he said. Jobbing was gigging.

Harold died three years after the interview. Harold’s wife was on the interview tape, teasing Harold about how he loved his saxophone and clarinet more than her. Harold said, “I quit playing music for you!”

Recap: I come from a piano-playing grandma in Mississippi and a house-painting xylophonist great uncle in South Euclid, Ohio.


Here’s something I wrote for City Journal: Latke Blues.

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2 comments

1 Dave Rowe { 01.09.20 at 9:19 pm }

My one grandmother played piano at American Legion functions. “Beer Barrel Polka” was one highly requested number.

2 Kenneth Goldberg { 01.11.20 at 2:31 pm }

From following your repertoire all these years, I’m thinking your greatest influence, by far, was the organ music Grandma played in the white Mississippi Baptist church….

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