Real Music & Real Estate . . .

Yiddishe Cup’s bandleader, Bert Stratton, is Klezmer Guy.
 

He knows about the band biz and – check this out – the real estate biz too. So maybe he’s really Klezmer Landlord.
 

You may not care about the real estate biz. Hey, you may not care about the band biz. (See you.)
 

This is a blog with a gamy twist. It features tenants with snakes and skunks, and musicians with smoked fish in their pockets.
 

Stratton has written op-eds for the New York Times, Wall Street Journal and Washington Post.


 
 

SOMEWHAT DISREPUTABLE?

Martin Amis said being in his father’s business (writing) was somewhat disreputable. Martin Amis wrote, “Being a hereditary novelist is a freaky thing, and people do find it a bit creepy.”

Here are some other hereditary artists, and personalities, who are a bit creepy: Ravi Coltrane, Ben Cheever, Katie Roiphe, Ben Stiller, Dweezil Zappa, George W. Bush, A.G. Sulzberger. All schmucks! Yes, that’s an extreme reaction. I’m envious.

A college friend said to me — about my family’s real estate business — “I wish I had a business to pass on to my son.”

unemployed father and son

But a family business is so unglamorous (think carpet sales, plumbing supplies) that there is nothing to get envious about, so don’t get envious. I just read the Ratner family real estate biz, Forest City, finally imploded after four generations. Everybody wants to be a novelist. Well, at least one Ratner — Austin Ratner — is a novelist.

One exception to all the above: If your father is a regional musician, and your son becomes a nationally known musician, that’s called roots and is very acceptable. Joe Lovano’s father was a sax player in Cleveland. Joel Grey’s father, Mickey Katz, was a clarinetist in Cleveland. Clarinetist Ken Peplowski’s father played in a polka band in Cleveland. That’s all very admirable.

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1 comment

1 Dave Rowe { 12.19.18 at 7:13 am }

Then there’s the case of Jakob Dylan – he writes with a heavy burden on his back.

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