TOM CLARK

Donald Hall, the big-time English professor at Michigan, had some super-favorite students, and I wasn’t one of them. Number one was Jane Kenyon, whom he married. Another was Tom Clark, who became poetry editor of the Paris Review at 22, thanks to Hall.

Hall wrote in A Carnival of Losses: “Tom Clark was the best student I ever had. As a senior at the University of Michigan he wrote a 44-page paper about the structure of Ezra Pound’s Cantos, replete with Chinese characters — Tom’s back hurt from carrying Chinese dictionaries — and Greek, neatly ball-pointed . . . His paper went further into Pound’s structure of improvisation than anyone else had done.”

Tom Clark (L) and Lewis Warsh on the beach at Bolinas, Calif., 1968. Photo by Anne Waldman

Clark was at Michigan seven years before me. I bought his first poetry book, Stones, shortly after it came out in 1969. I hitchhiked to Bolinas, but Clark wasn’t there. (I met Lewis Warsh instead, another poet.) I had a poem in The World, an East Village mag, and was thrilled. I wrote some more poems.

Clark kept up with poetry. Clark had a wise-acre, yet lyrical, poetic style that reminded me how I would write poetry if I was good, brilliant, and had stuck with it. I went over to prose (for the fame and money).

Clark wrote prose, too – mostly dry bios. I liked just one: The Great Naropa Poetry Wars, an investigation on Allen Ginsberg’s weird relationship with a Buddhist leader, Chogyam Trungpa, in Boulder.

I wanted to be Tom Clark for a while.

On Friday Clark was hit by a car and died. He was walking across the street in Berkeley. He was 77. It was an accident. A screw up.

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I had an op-ed — “5oth high school reunion time? Just Show up” — in the Cleveland Plain Dealer on Sunday.

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